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Abbreviations |
Spacing between abbreviations using two periods. |
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N.Y. (no space) |
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T. S. Eliot (space between initials) |
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Abbreviate United States when used as an adjective; otherwise, spell out. |
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The U.S. army |
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The United States and China concluded talks. |
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a cappella |
Lowercase, italicized. (Holoman) |
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Try to avoid; use "unaccompanied" instead. |
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Abstract pitches |
Capitalized, without quotation marks; keys are always capitalized, and |
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are hyphenated only if they key precedes a generic title. |
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Beethovens famous C-Major Symphony ends in C Major. |
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From this point, the bassses maintain a D pedal tone. |
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The soprano part ascends twice to g2. |
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Active voice |
Use whenever possible. |
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all of |
Choral Journal style calls for dropping the "of" when it follows "all," |
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except when "of" is followed by a pronoun. |
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From "all of the pieces" to "all the pieces" |
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"All of us want to go camping." |
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and/or |
In general, use "or" instead of "and/or." |
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biblical |
lowercase (Chicago 7.84) |
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Boosey & Hawkes |
All references to music published by Boosey & Hawkes in the United States |
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should use the ampersand (&), not the word "and." |
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Britishisms |
Avoid them. (Holoman 2.62) |
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call-and-response |
Hyphenate. |
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Capitalization |
-- of Associations & Conferences (Chicago 7.58) |
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Full official names of associations, societies, unions, meetings, and |
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conferences are capitalized; "A" or "the" preceding a name is lowercase |
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pr in textual matter, even when part of the official title. |
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Democratic National Convention |
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the national convention |
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the convention |
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ACDA national office |
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1993 San Antonio National Convention |
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San Antonio Convention |
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ACDA National Convention |
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our national convention |
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|
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-- of regions (Chicago 7.34) |
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Certain nouns and some adjectives designating parts of the world or regions |
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of a continent or a country are generally capitalized. Descriptive adjectives |
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not part of an accepted appellation are lowercase: |
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Central America; central Europe |
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North Atlantic; northern Atlantic |
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southwestern United States; Southwestern desert |
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-- of geographical areas (Chicago 7.35) |
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Lowercase unless referring to political rather than geographical divisions. |
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Western Europe (political) |
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western Europe (geographical) |
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-- of choral ensembles (Chicago 7.58) |
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Capitalize the following group names if they are shortened versions of |
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formal titles: |
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Concert Choir, A Cappella Choir, Festival Singers, etc. |
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the Chorale, Singers, etc. |
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lowercase "choir" or "chorus" as generic designations |
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|
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-- of civil, military, religious, and professional titles (and nobility) |
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preceding a personal name (Chicago 7.15) |
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President Johnson |
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Emperor Maximilian (but, the emperor Maximilian) |
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|
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Exception : some titles of a more generic nature that are |
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not capitalized: |
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James J. Jones is in his sixth year as choral director. |
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|
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-- of professional titles following a personal name |
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In formal usage, such as acknowledgements and lists of contributors, titles |
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following a personal name are also usually capitalized. A title used alone, |
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in place of a personal name, is capitalized in such contexts as toasts or in |
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formal introductions (Chicago 7.16) |
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Thomas Moore is Director of Choral Activities. |
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We thank C. R. Dodwell, Fellow and Librarian of |
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Trinity College, Cambridge |
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Ladies and gentlemen, the President of the United States. |
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|
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In text matter, titles following a personal name or used alone in place of a |
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name are, with few exceptions, lowercase (Chicago 7.17) |
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William Henry Seward, secretary of state |
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Secretary (of State) Seward |
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the secretary of state |
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the secretary |
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|
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Exceptions include : Named professorships and fellowships are usually |
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capitalized where they appear, especially if they include a personal |
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name; i.e., Ferdinand Schevill, Distinguished Service Professor, |
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but Fulbright scholar. |
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Centuries |
--as adjectives (Turabian 2.53) |
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Hyphenate such references only when they serve as adjectives, as in |
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the first example below: |
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|
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seventeenth-century literature |
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the eighteenth century |
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the mid-twentieth century |
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the twenty-first century |
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|
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-- capitalization (Turabian 2.53 and 4.7) |
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References to particular centuries should be spelled out, uncapitalized |
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(within text). A rule of thumb for capitalizing compound words (when such |
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capitalization is called for) is always to capitalize the first element. |
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Capitalize the second element if it is a noun or proper adjective, or if it has |
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equal force with the first element. |
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|
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Twentieth-Century Literature in the Making |
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Computer-aided Graphics: A Manual for Video-Game Lovers |
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CD notes |
Use this in the CD Reviews column when referring to the booklet which |
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comes with CDs. |
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choir |
Treat as singular. (The same applies to chorus, singers, etc). Also, lowercase. |
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chorus |
Treat as singular. (The same applies to choir, singers, etc). Also, lowercase. |
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Clichés |
Try to avoid using clichés like "singers and audience alike," etc. |
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Colons |
Use in introductory phrases (see Introductory phrase) and introducing |
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long quotes preceded by incomplete sentences (see Quotations). |
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Colons should be placed outside quotation marks or parentheses. |
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When the item quoted ends with a colon, the colon is dropped (Chicago 5.81) |
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Italicize colon following an italicized word. |
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Commas |
-- in a series (Chicago 5.50) |
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In a series consisting of three or more elements, the elements are separated |
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by commas. When a conjunction joins the last two elements in a series, a |
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comma is used before the conjunction. |
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|
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Can lyrical, narrative, rhetorical, and expository conventions. . . . . |
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|
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-- after a date (Chicago 5.60, with adaptations by Choral Journal ) |
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Do not use a comma after a date, unless it is followed by a proper noun (or |
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unless the lack of a comma creates confusion). |
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|
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In 1976 he . . . |
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In 1976, Volkswagen built a new model . . . |
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|
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Chicago 5.60 says no commas are used in the following example to mark off |
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the year; however, Choral Journal style calls for using them. |
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On October 6, 1966, Longo arrived in Bologna. |
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|
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-- after italicized words |
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Italicize comma following an italicized word. |
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Common prayers |
Choral Journal style lists the following as common prayers: |
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|
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Mass movements |
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Anglican service movements; e.g., Te Deum, Magnificat |
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|
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All common works listed in this category are kept in Roman type, not |
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italicized. |
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Compound adjectives |
The hyphen is used in a compound adjective, one element of which consists |
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of two words or of a hyphenated word. (Chicago 5.94 and 6.26) |
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|
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twenty-four-voice choir |
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non-English-speaking countries |
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Compound words in Titles |
A rule of thumb to use in capitalizing compound words in titles is |
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- always capitalize the first element |
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- capitalize the second element if it is a noun or proper adjective, or if it |
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has equal force with the first element. (Chicago 7.124 and Turabian 4.7) |
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|
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Twentieth-Century Literature |
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Risk-Taker |
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Do not capitalize the second element if it modifies the first element, or if |
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both elements constitute a single word. |
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|
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English-speaking People |
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Medium-sized Library |
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Re-establish |
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Computer language |
Computer language is written as follows: |
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e-mail |
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Web site |
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e-mail and Web site addresses are preceded and followed by < > |
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as in <chojo@acadonline.org> or <http://www.utexas.edu> |
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Convention |
See page 1, Capitalization of associations and conferences. |
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CPP/Belwin |
Any references to this company in the Choral Journal must include the full |
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name, which is: CPP/Belwin, Inc., Music Publishers |
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di Lasso (Orlando) |
Use di Lasso, not Lassus or Lasso. |
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Dynamic nuances |
Italicize (e.g., crescendo , decrescendo , pianissimo , etc.) |
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Dvorák |
Choral Journal style. |
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Ellipsis |
- A continuous ellipsis should not be split between lines. (Turabian 5.33) |
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- In general, no ellipsis points should be used: (Turabian 5.27) |
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|
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before or after an obviously incomplete sentence |
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before or after a run-in quotation of a complete sentence |
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before a block quotation beginning with a complete sentence or an |
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incomplete sentence that completes a sentence in the text |
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after a block quotation ending with a complete sentence |
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Em Dash |
-- to denote missing word (Chicago 5.96) |
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Use three em dashes (with space on each side) to denote a whole missing |
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word in quoted material. |
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A vessel that left the in July . . . |
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(Em Dash: on Apple keyboard = option, shift, hyphen keys simultaneously) |
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|
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-- in bibliographies (Chicago 5.96 and 15.94-97) |
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Use three em dashes in bibliographies to indicate same author as |
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preceding entry. (See Chicago 15.94 for example) |
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En Dash |
-- in inclusive numbers (Chicago 5.92) |
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The principal use of the en dash is to indicate continuing, or inclusive, |
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numbers: dates, time, or reference numbers. |
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(en dash = command [Apple] or control [PC] + minus key from number pad) |
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196872 |
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MayJune 1967 |
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Exceptions : |
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from 1968 to 1972 (never from 196872) |
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from May to June 1967 (never from MayJune 1967) |
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during 1863 to 1864 |
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during 1863 and 1864 (never during 186364) |
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between 1968 and 1970 (never between 196870) |
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between 10:00 A.M. and 5:00 P.M. |
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Endnotes |
-- authors initials |
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According to Choral Journal style, authors full names must be given in all |
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endnotes. An exception can be made, however, if two initials appear |
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before an authors surname. |
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C. J. Smith (not C. Smith) |
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-- book (Turabian 9.23) |
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Name of author(s) |
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Title and, if any, subtitle |
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Name of editor, compiler, or translator, if any |
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Name of author of preface, introduction, or foreword |
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Number or name of edition, if other than the first |
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Name of series in which book appears, if any, with volume or number |
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in a series |
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Facts of publication: place of publication, name of publishing agency, |
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date of publication |
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Page number(s) of the specific citation |
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|
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-- dissertation citation (unpublished material) (Turabian 9.114) |
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1Sandra Landis Gogel, "A Grammar of Old Hebrew" (Ph.D. diss., |
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University of Chicago, 1985), 46-50. |
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|
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-- encyclopedias and dictionaries (Turabian 9.96) |
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For well-known reference books, such as the New Grove, Choral Journal |
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style is to cite the author, if known, and the name of the article first, |
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followed by the title of the encyclopedia or dictionary and information |
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about the edition and the date of publication. |
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|
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1J. W. Cosyns-Carr, "Blake, William," in Encyclopedia Britannica, 1980, |
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178. |
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Can omit facts of publication (place of publication, publisher, date) when |
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citing from well-known reference books, but edition must be specified if its |
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not the first. For less well-known, alphabetically arranged works, give |
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the item (not the volume or page no.) preceded by "s.v." (Chicago 17.62) |
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|
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Columbia Encyclopedia, 3d ed., s.v. "Cold War." (Turabian 11.42) |
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|
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-- journals and periodicals (Turabian 9.83) |
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First, full references to an article in a journal or periodical include the |
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following, in this order: |
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- Name of author(s) |
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- Title of article |
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- Name of periodical |
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- Volume number or issue |
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- Publication date, if any, in parentheses |
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- Page number(s) |
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|
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1Elias Folker, "Report on Research in the Capital Markets," Journal |
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of Finance 39, supplement (May 1964): 15. |
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Note : this type of endnote entry uses a colon before page numbers. |
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|
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-- name of editor, translator, or compiler (Turabian 9.39) |
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Place ed., trans., or comp., after the title and before the name. |
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|
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1Edward Chiera, They Wrote on Clay , ed. George G. Cameron (Chicago: |
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University of Chicago Press, 1938), 42. |
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Note : when there is more than one editor, translator, or compiler, use the |
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same formdo not use the plural, such as "eds." |
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entitled |
Do not use. Instead, use titled. |
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Hemingways new book, titled A Farewell to Arms , recounts . . . |
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Eras |
Capitalize eras in music history, whether in noun or adjectival form. |
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The Baroque era preceded the Romantic period and the work of |
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Romantic musicians. |
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festschrift |
Lowercase, not italicized |
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folk song / folk-song |
Two separate, unhyphenated words. Hyphenate when used as an adjective. |
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|
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arrangements of folk songs |
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folk-song arrangements |
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Foreign words |
All foreign words, including Italian musical terms such as allegro , |
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andante , dal capo , poco a poco , crescendo , p , mf f , etc. should be |
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in italics. |
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|
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The following brackets should be used when citing a translation of an |
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expression or a title: [ ] |
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Hvad est du dog skjøn [How Fair is Thy Face] |
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Geographical areas |
Lowercase unless referring to political rather than simply geographical |
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divisions. (Chicago 7.35) |
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Western Europe (political) |
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western Europe (geographical) |
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Italics and punctuation |
Italicize the following punctuation marks when they follow italicized |
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material: colons, commas, periods, semicolons |
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|
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Do not italicize parentheses enclosing italicized material. |
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|
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When typing a word in italics, leave one space after the word if the last |
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letter leans over onto the next un-italicized word (such as fs & ts) to avoid |
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the italicized word running onto the next word, and looking like there is |
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no space between the words. |
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|
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Italics and titles of |
Italicize all music that exists as a separate entity, no matter what the |
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musical compositions |
length of the piece, unless it is a Mass movement or common prayer, which |
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are kept in Roman type (See Common prayers). |
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|
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Use quotation marks for separate parts of works. |
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|
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Italicize translated titles (e.g., from Johannes Passion to St. John Passion ) |
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|
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Impressionism |
Capitalize when it appears as a noun. Lowercase when it suggests an |
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attitude or philosophical orientation; i.e., impressionistic. This same rule |
| |
applies to other periods of music history. (Holoman 2.37, 2.38) |
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Introductory phrase |
A formal introductory phrase concluding with "thus" or "the following" |
| |
is usually followed by a colon. (Chicago 10.16) |
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|
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Henry Fielding, at the beginning of his History of Tom Jones , defines |
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it thus: (then comes the quote) |
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Josquin des Prez |
This is how it should appear in the Choral Journal . (Holoman) |
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Juilliard |
Use this spelling for The Juilliard School of Music. |
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Morten Lauridsen |
Use this spelling for the composer. |
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Letters to the Editor |
Use "Letters to the Editor" even when only one letter appears. |
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Lieder |
Choral Journal style is to uppercase Lieder . |
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Lyrics |
When dealing with the lyrics in a song, insert a slash with a space on |
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either side between separate lines. (Chicago, 14th ed., 10.11) |
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|
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Row, row, row your boat / Gently down the stream |
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Major and Minor |
When a key is used preceding a genre, it becomes an adjectival |
| |
construction and requires a hyphen. (Holoman 1.14) |
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|
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A-Major Sonata |
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A-Minor Sonata |
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Piano Concerto in A Minor |
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Mass |
Capitalize when referring to the Service. |
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|
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Metronome markings |
Use M.M. (small caps). |
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|
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Mezzo-soprano |
Hyphenate. |
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|
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"multi" |
Compound words using "multi" are not hyphenated. (Turabian 3.34) |
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multicultural |
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|
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musica ficta |
Two words, italicized. |
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|
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Musical examples |
Two words. Never "music examples" |
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|
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Music-making |
Hyphenate. |
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|
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notes inégales |
Italicize. |
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|
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Numbered streets |
Spell the names of numbered streets under one hundred. (Chicago 8.61) |
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|
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Fifth Avenue |
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Twenty-third Street |
| |
(Choral Journal style calls for lowercasing the second number in the |
| |
address.) |
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|
|
Numbers |
-- exact (Chicago 8.3 and 8.4) |
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In nonscientific text matter, numbers of less than one hundred should be |
| |
spelled, and numbers of one hundred or more should be expressed in figures, |
| |
except for round numbers (approximate figures in hundreds, thousands, or |
| |
millions should be spelled). |
| |
|
| |
The first edition ran to 2,670 pages in three volumes, with 160 engravings. |
| |
2,5000 should be spelled twenty-five hundred |
| |
Officials estimated that forty thousand were killed. |
| |
|
| |
Exceptions : Year numbers and numbers referring to parts of a book, which, |
| |
except in rare circumstances, are expressed in figures. |
| |
|
| |
Julius Caesar was assassinated in 44 B.C. |
| |
For further data refer to figure 34 and table 8. |
| |
In measures 4-8, the composer writes . . . |
| |
|
| |
-- in a series (Turabian 2.31) |
| |
When numbers above and below one hundred appear in a series or group of |
| |
numbers (each of which applies to the same kind of thing), apply the same |
| |
rule to all the numbers. |
| |
|
| |
Of the group surveyed, 186 students had studied French, 142 had studied |
| |
Spanish, and 36 had studied Latin. |
| |
|
| |
-- initial (Chicago 8.9) |
| |
At the beginning of a sentence any number that would ordinarily be written |
| |
in figures is spelled. |
| |
|
| |
One hundred ten men and 103 women will receive degrees. |
| |
|
| |
-- continued numbers (Turabian 2.67) |
| |
Refers to the first and last number of a sequence of numerical designations |
| |
(i.e., page numbers and inclusive year dates). |
| |
|
| |
First Number Second Number Examples |
| |
Less than 100 Use all digits 3-10; 71-72 |
| |
|
| |
100 or mult. of Use all digits 100-104; 600-613 |
| |
100 |
| |
|
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101 through 109 Use changed part 107-8; 505-17; 1002-6 |
| |
(in mult. of 100) only, omitting |
| |
unneeded zeros |
| |
|
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110 through 199 Use two digits, or 321-25; 415-432; 1536-38 |
| |
(in mult. of 100) more as needed 11564-68; 13792-803 |
| |
|
| |
But if numbers are four |
| |
digits long and three digits |
| |
change, use all digits. |
| |
|
| |
These cities were discussed on pages 2-14, 45-46, 200-210, 308-309. |
| |
He lost everything in the years 1933-36 of the Great Depression. |
| |
This chapter covers the Napoleonic victories of 1800-1801. |
| |
|
|
Passive voice |
Avoid almost entirely, except when unavoidable. |
| |
Passive: The piece is based on an old Russian folk song. |
| |
Active: The composer based the piece on an old Russian folk song. |
| |
|
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Parentheses |
Do not italicize parentheses when they enclose italicized material. |
| |
|
|
Part-singing, part-song |
Hyphenate |
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|
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|
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|
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Percentages |
The figure preceding either percent or % is never spelled out. |
| |
(Turabian 2.38) |
| |
15 percent |
| |
55% |
| |
|
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|
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Place names |
Certain nouns and some adjectives designating parts of the world or |
| |
regions of a continent are generally capitalized. Descriptive adjectives not |
| |
part of an accepted appellation are lowercase. (Chicago 7.34) |
| |
|
| |
East, Middle Eastern, but eastern (direction or locality). |
| |
(Note : Middle Eastern is not hyphenated.) |
| |
Central America; central Europe |
| |
North Atlantic; northern Atlantic |
| |
|
|
Quotations |
-- changing (Chicago 10.6) |
| |
Direct quotations must reproduce exactly not only the wording but the |
| |
spelling, capitalization, and the punctuation of the original. The initial |
| |
letter, however, may be changed to a capital or a lowercase letter, and a |
| |
final punctuation mark may be changed to make the quotation fit in the |
| |
syntax of the text. |
| |
|
| |
-- from modern book, journal or newspaper |
| |
An obvious typographical error may be silently corrected, but in a passage |
| |
from an older work or from a manuscript source, any idosyncrasy of spelling |
| |
should be observed. |
| |
|
| |
-- from older works |
| |
An author may consider it desirable to modernize spelling and punctuation |
| |
for the sake of clarity. When he does this, he should so inform the reader, |
| |
either in a footnote or in a book containing such quotations, by a general |
| |
statement in the preface or elsewhere. |
| |
|
| |
-- introducing long quotes (Chicago 10.18) |
| |
A quotation consisting of more than one complete sentence is usually |
| |
introduced by a colon if the text preceding the quotation is not a complete |
| |
sentence, but a phrase like: |
| |
|
| |
As the chairman of the committee suggested: |
| |
And again: |
| |
|
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-- introducing one-sentence quotes (Chicago 10.18) |
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If the quotation is only one sentence, a comma follows such a phrase instead |
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of a colon. A colon is usually not used if the introductory text is a complete |
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sentence: |
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|
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The chairman of the committee suggested an alternative. |
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What, you might ask, are the alternatives? |
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|
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-- with punctuation |
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|
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colons and semicolons (Chicago 5.73 and 5.81) |
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The colon and semicolon should be placed outside the quotation marks or |
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parentheses. When the quoted matter ends with a colon or semicolon, |
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the colon or semicolon is dropped. |
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|
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commas (Chicago 5.67) |
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When a comma is needed at the end of material enclosed in quotation |
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marks, parentheses, or brackets, the commas should be placed inside the |
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quotation marks but outside the parentheses or brackets. |
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|
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See Brightons comments on "political experience," in this volume. |
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|
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periods (Chicago 5.10) |
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Periods should be placed within the quotation marks except when single |
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quotation marks are used to set off special terms. When parentheses or |
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brackets are used to enclose an independent sentence, the period belongs |
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inside. |
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|
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If the enclosed matter is part of an including sentence, the period should be |
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placed outside the parentheses or brackets. |
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|
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He had not defined the term categorical imperative. |
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"I have just read A Good Man is Hard to Find. " |
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Forelli insisted on rewriting the paragraph. (I had encountered this |
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intransigence on another occasion.) |
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The driver glanced at his rear-view mirror to observe the passenger (the |
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one in the derby hat). |
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|
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Rachmaninov |
Choral Journal style. |
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|
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Recordings |
For records, broadcasts, etc., give a date if you can find it. |
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|
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D. Kern Holoman, jacket notes to Hector Berlioz, Symphonie |
| |
fantastique , Chicago Symphony Orchestra/Claudio Abbado (Deutsche |
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Grammophon Digital Stereo 410 895-1, 1984). |
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|
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"re"-words |
Except in the following special situations, all words formed with the "re" |
| |
prefix are spelled solid (except if main word is capitalized). |
| |
(Chicago, table p. 136) |
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reintroduce |
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Exceptions : To distinguish homonyms, such as re-cover and re-create. |
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|
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Semicolon |
- Should be placed outside the quotation marks or parentheses. When |
| |
the matter quoted ends with a semicolon, the semicolon is dropped. |
| |
(Chicago 5.73) |
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- Italicize semicolon following an italicized word. |
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|
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sight-reading |
Hyphenate. |
| |
|
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singers |
Treat as singular. (The same applies to choir, chorus, etc.) |
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|
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spiritual |
Do not capitalize. |
| |
|
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State names |
Abbreviate state manes in lists; in running text or addresses not given in |
| |
outline form, spell state names. |
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|
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No space between letters (i.e., N.J. or N.Y.) |
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|
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ACDA national office, Post
Office Box 2720, Oklahoma City, Oklahoma 73101-2720. |
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ACDA National Office |
| |
P. O. Box 2720 |
| |
Oklahoma City, OK 73101-2720 |
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|
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Superscript |
The superscript numeral follows a punctuation mark, if any, except the |
| |
dash, which it precedes. (Turabian 9.9) |
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|
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. . . elsewhere.2 |
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|
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that/which |
Use "that" for restrictive clauses and "which" for non-restrictive clauses. |
| |
Commas should separate non-restrictive clauses from the rest of the |
| |
sentence. |
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|
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The painting that won first prize is hanging in the foyer. |
| |
The use of seat belts, which can prevent serious injury, is now mandatory. |
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|
|
Time of day |
Except when A.M. or P.M. (small caps) is used, time of day should be |
| |
spelled in text matter. Never add in the morning after A.M. or |
| |
in the evening after P.M., and never use oclock with either A.M. or P.M. |
| |
or with figures. Midnight is written as 12:00 A.M. and noon is written |
| |
12:00 noon (meridian). (Turabian 2.57) |
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|
|
Titles of works |
-- foreign words or titles (Turabian 4.33 comes closest) |
| |
Titles of foreign works are followed by the titles English translation, |
| |
which is enclosed in brackets without italics or quotation marks. |
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|
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Hvad est du dog skjøn [How Fair is Thy Face] |
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|
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Italicize titles of foreign works translated into English |
| |
|
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Johannes Passion to St. John Passion |
| |
|
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-- musical compositions (Holoman) |
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|
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Bachs Prelude and Fugue in E-flat ("St. Anne") |
| |
Beethovens Fifth Symphony |
| |
Death and Transfiguration , Don Giovanni |
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"Jesu Joy of Mans Desiring" |
| |
Piano Concerto no. 5 (Emperor ), or the Emperor Concerto, by Beethoven |
| |
"Wohin" from Die Schöne Müllerin |
| |
famous prayers, such as Ave Maria, Te Deum, etc., are in Roman type |
| |
with no quotes. |
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|
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Titles |
Italicize titles of all works, no matter how small; never italicize |
| |
movements or sections. |
| |
|
|
titled |
Use instead of entitled. |
| |
|
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Hemingways new book, titled A Farewell to Arms , is interesting. |
| |
|
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unaccompanied |
Generally, use this term instead of a cappella |
| |
|
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Voice-leading |
Hyphenate. |
| |
|
| |
In view of this, the technique of voice-leading in the European sense |
| |
is irrelevant. |
| |
|
|
while/though |
Use "while" to introduce a clause if you are referring to time, |
| |
otherwise use "though". |
| |
|
| |
While the basses are intoning the main theme, the sopranos enter |
| |
with a quiet Counterpoint. |
| |
|
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Though the basses carry the main theme, the harmony remains static. |
| |
|